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Laurie Warta, Independent Consultant   760-873-3994   STMPQWN@aol.com



OPTICAL & DIGITAL ZOOM

In some instances, you may find yourself wanting to get closer to a subject without physically moving closer - for example, there's a bear in the middle of the road in the wildnerness and you want proof that it wasn't just an oversized dog. Using the "zoom" control on your camera will allow you to get "close" enough to capture a larger image without having to physically move closer, thus endangering your safety. (The same zoom control will allow you a wide angle image as well.) Most point-and-shoot digital camera are equipped with an optical zoom lens, optical and digital zoom settings, or a digital zoom only. Knowing the difference can make or break an image.

What is Optical Zoom? Optical zoom lenses move in and out physically to magnify your subject. A motor controls the lens movement. When you press the switch to "W" or "T," the subject is either magnified or reduced in size. The "T" stands for "telephoto" (magnify).The "W" stands for "wide-angle" (reduce). Normally, images made with the Optical Zoom are good, high-quality images you'd typcially expect.

What is Digital Zoom? Using the digital zoom allows you to get closer to your subject when you want to be discreet about taking pictures, or when you simply can't get physically close enough to your subject. Digital zoom crops your image then magnifies the result of the cropping. This magnification process is called "interpolation." It's important to know what this term means to your end result: To make the cropped area larger and more visible, digital zoom makes up, or interpolates, pixels to add to the image, which usually gives less than satisfactory results.

The SnagTthat Gets You. We're all trained to view our images on the little camera LCD monitor. Most of the time, that little tiny image lies to you by showing you an acceptable image of a scene you just took. Not until later do you realize the destruction caused by usig the Digital Zoom either by itself or in addition to the Optical Zoom. Until you know the differences and similarities (if any), be sure to practice and read up on your camera manual. Knowledge is power, especially when you're in a situation where you have to make a quick decision.

Can you combine Optical and Digital Zoom ? Using the digital zoom allows you to get closer to your subject when you want to be discreet about taking pictures, or when you simply can't get physically close enough to your subject. Digital zoom crops your image then magnifies the result of the cropping. This magnification process is called "interpolation." It's important to know what this term means to your end result: To make the cropped area larger and more visible, digital zoom makes up, or interpolates, pixels to add to the image, which usually gives less than satisfactory results.

Sacrificing image quality to capture the moment (as in the bear example) is more important than not getting the picture at all. Use this feature sparingly and always refer to your camera's manual for insructions and features of your particular camera mode.

EVERYDAY PICTURES
Think "inside" the box, the camera's viewfinder, that is. Sometimes looking at a scene as a "whole" doesn't inspire a photograph. Instead, try to look closer for a photograph within a photograph.

One of the most common errors taking photos is that of something "growing" out of someone's head. Be careful when snapping Grandma with a tree growing out of her head! Zooming in (or moving closer) will often times take care of that situation.

Have you ever heard "shoot with the sun behind you"? Meaning, the sun is shining right smack dab in your subjects face. Give shade a try! Position your subject in the shade of a tree, porch, or other covered area that receives indirect sunlight. An indoor, north-facing window is a good spot to position your subject as well. Just remember to make sure the rest of the photograph does not have sunshine or it could ruin your efforts all together.

Don't skimp on film. Do you know the odds for getting one really good shot of one person on film? It’s about 1 in 12! So, don’t hold back on taking many frames of your favorite subject.

Choosey scrapbookers are choosey with colors! Keep your scrapbooking endeavor simple by choosing
2-3 colors from your photos for the layout. Lay your photos on several different cardstock colors and see what color pops out at you. When you begin working on your layout, you’ll find that the complimentary colors cause your photos to be the center of attention; just the way it’s supposed to be!

Don’t let yourself be caught without a camera! Disposable cameras come in very handy if you don’t own a camera, if your camera is being repaired or if you’re simply out of film. Disposable cameras make wonderful gifts for teenagers, newlyweds, party-goers, campers, and much more!

Choose one day of each month to organize your photos!

Do you grow tired of the same types of photos you take? Are all of your shots horizontal? Vertical? Here are a few tips for getting creative with your camera...

       Get down to eye level, especially if the subject is a small child, someone on the floor, a pet and so on.

       Over-the-shoulder photos are incredible! Have your subject with their back to you then have them turn their head so you get an over the-shoulder shot. These are terrific especially with siblings and/or close friends.

       Up close shots can be such fun so move in closely to your subject! Assuming that your camera allows for close up shots (check your minimum focus distance in your camera's manual), line up your subject in the viewfinder then take 1 big step closer. For example, instead of taking a photo of Grandma from across the room, move closer so that you're just a few feet from her. Take 2 or 3 exposures of her so you have a greater chance of one great shot.
 
 CANDID PHOTO TIPS

Candid photos are all about capturing a natural moment rather than a posed shot. When possible, snap the photo when your subject is unaware and not saying "cheeeese".

Great candids have people interacting with their environment, not the photographer.

Have patience - and plenty of film! You might find a particular idea for a candid shot so be ready to take several frames of the same subject or event.

When photographing small children, position yourself at their eye-level. This may mean kneeling, sitting, or even lying on the floor.

Positioning yourself below the subject and aiming the camera upwards will cause the subject to look larger just as positioning yourself above the subject and aiming the camera downward will cause the subject to look smaller.

Watch what's going on in the photograph! The last thing you want is background clutter or trees growing out of heads. When in doubt, get closer!

Fill the frame when possible. When you think you're close enough, step in another foot or two. Don't hesitate to fill the frame with just the features of a face (eyes, nose, mouth).

Here is an example of a candid shot and a posed shot.

 BLACK AND WHITE PHOTO TIPS

Don't you just long for the simple days of years gone by when there was time to sit on the front porch sipping lemonade with your grandma and grandpa or favorite aunt and uncle? You can capture the warmth of these memories by adding a hint of color to your favorite black and white photos. Wouldn't you agree that black and white photos provide a distraction from today's busy life styles while evoking a feeling of nostalgia from the simpler days of the past?

Adding color to black and white photos is a breeze with Close To My Heart® products! Join me as I share some simple tips and techniques for tinting your black and white photos:

1. Try to use simple photos. The slight addition of color will make more of a statement on your black and whites.

2. Always start with less ink. You can always add more but will be unable to take applied color off. Plus, too much ink may ruin your photo AND the technique.

3. Using a Q-tip or make-up applicator and the Close To My Heart® Exclusive Inks™ stamp pads, pull color off and apply to area of photo you wish to color. Or, try coloring directly on a small area of your photo with one of our Exclusive Inks™ markers. Soften the color using a Q-tip or sponge make-up applicator.

4. Less is more in both the amount of color you apply, how many colors you use and the number of areas of the photo you tint.

5. When finished, try matting your tinted photo on a piece of coordinating background and texture paper.

Did you know you can turn any color photo into a black and white photo using your computer and image editing software? It's very simple. Simply scan a photo in or open an existing photo in a program such as Adobe Photoshop®. Go to Image/Mode/Greyscale. (You can always use the program's HELP file for complete instructions on converting color photos to black and white.) Print out on photo quality paper and add color as described above. Be sure you use an acid-free, photo safe paper. Keep in mind that different papers will take the ink differently so you might want to practice a bit first.

When scrapbooking with black and white photos, keep in mind that soft colors are most suitable. They will not be overwhelming to your page but will enhance it.

Choosing the right "white" is also important. How aged are your photos? Do they look yellowed? Then the Colonial White cardstock might enhance the page much more than the Pastel or Ultra White. The Close To My Heart® background & texture papers are also a wonderful enhancement to your photos provided the colors are soft. A note on using B&T Papers: Avoid putting your black and white photos directly on top of or next to a patterned paper. Too much pattern could become a detractor very quickly. Layer the photo on a solid color before layering it onto a patterned paper.

Close To My Heart Referral Line: (888) 655-6552 "Close To My Heart"," D.O.T.S."," Dozens of Terrific Stamps", "ABC Scrapbook Program" and all other trademarks are owned by the CTMH Co. unless otherwise noted. Graphics on this web site are not representative of CTMH Co. Design & Layout by Laurie Warta, Independent Consultant. No portion of this web site may be reproduced or redistributed in any form without prior written consent. All rights reserved.
Copyright © 2006, Laurie Warta